{"id":10754,"date":"2025-09-19T10:37:38","date_gmt":"2025-09-19T05:07:38","guid":{"rendered":"https:\/\/www.zee5.com\/global\/blog\/?p=10754"},"modified":"2025-09-19T11:10:15","modified_gmt":"2025-09-19T05:40:15","slug":"from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend","status":"publish","type":"post","link":"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/","title":{"rendered":"From Mughal-E-Azam to Phullwanti: 7 Time-Traveling (and Time-Tested) Period Dramas to Binge This Weekend"},"content":{"rendered":"<p>Cut the noise, keep the gems. Here are seven razor-sharp Period Dramas that show Indian cinema flexing in courts, on battlefields, through folk legends, and in full-blown myth mode. Not a \u201cgreatest ever\u201d puff piece\u2014just a crisp, no-nonsense guide with exactly enough context to spark your next play.<\/p><div id=\"ez-toc-container\" class=\"ez-toc-v2_0_73 counter-hierarchy ez-toc-counter ez-toc-black ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Page Contents:<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #282fff;color:#282fff\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #282fff;color:#282fff\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#Quick_reference_table\" title=\"Quick reference table\">Quick reference table<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#1_Mughal-E-Azam_1960_HindiUrdu\" title=\"1) Mughal-E-Azam (1960, Hindi\/Urdu)\">1) Mughal-E-Azam (1960, Hindi\/Urdu)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#2_Fatteshikast_2019_Marathi\" title=\"2) Fatteshikast (2019, Marathi)\">2) Fatteshikast (2019, Marathi)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#3_Har_Har_Mahadev_2022_Marathi\" title=\"3) Har Har Mahadev (2022, Marathi)\">3) Har Har Mahadev (2022, Marathi)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#4_Maurh_2023_Punjabi\" title=\"4) Maurh (2023, Punjabi)\">4) Maurh (2023, Punjabi)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#5_Bimbisara_2022_Telugu\" title=\"5) Bimbisara (2022, Telugu)\">5) Bimbisara (2022, Telugu)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#6_RRR_2022_Telugu_multilingual\" title=\"6) RRR (2022, Telugu; multilingual)\">6) RRR (2022, Telugu; multilingual)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#7_Phullwanti_2024_Marathi\" title=\"7) Phullwanti (2024, Marathi)\">7) Phullwanti (2024, Marathi)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#How_to_watch_smart_and_in_what_order\" title=\"How to watch smart (and in what order)\">How to watch smart (and in what order)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/www.zee5.com\/global\/blog\/from-mughal-e-azam-to-phullwanti-7-time-traveling-and-time-tested-period-dramas-to-binge-this-weekend\/#Why_these_seven_make_a_useful_set\" title=\"Why these seven make a useful set\">Why these seven make a useful set<\/a><\/li><\/ul><\/nav><\/div>\n\n<h2><span class=\"ez-toc-section\" id=\"Quick_reference_table\"><\/span>Quick reference table<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<table>\n<thead>\n<tr>\n<th>Title<\/th>\n<th>Year<\/th>\n<th>Language<\/th>\n<th>Primary era\/setting<\/th>\n<th>Director<\/th>\n<\/tr>\n<\/thead>\n<tbody>\n<tr>\n<td>Phullwanti<\/td>\n<td>2024<\/td>\n<td>Marathi<\/td>\n<td>Peshwa court (18th c.)<\/td>\n<td>Snehal Pravin Tarde<\/td>\n<\/tr>\n<tr>\n<td>Har Har Mahadev<\/td>\n<td>2022<\/td>\n<td>Marathi<\/td>\n<td>Battle of Pavan Khind, 1660<\/td>\n<td>Abhijeet Deshpande<\/td>\n<\/tr>\n<tr>\n<td>Maurh<\/td>\n<td>2023<\/td>\n<td>Punjabi<\/td>\n<td>Malwa, 1885\u20131893<\/td>\n<td>Jatinder Mauhar<\/td>\n<\/tr>\n<tr>\n<td>Bimbisara<\/td>\n<td>2022<\/td>\n<td>Telugu<\/td>\n<td>5th-century BCE Magadha \u2194 modern Hyderabad<\/td>\n<td>Mallidi Vassishta<\/td>\n<\/tr>\n<tr>\n<td>RRR<\/td>\n<td>2022<\/td>\n<td>Telugu (multilingual)<\/td>\n<td>1920s British Raj (fiction around real figures)<\/td>\n<td>S. S. Rajamouli<\/td>\n<\/tr>\n<tr>\n<td>Fatteshikast<\/td>\n<td>2019<\/td>\n<td>Marathi<\/td>\n<td>Lal Mahal raid, Pune (1663)<\/td>\n<td>Digpal Lanjekar<\/td>\n<\/tr>\n<tr>\n<td>Mughal-e-Azam<\/td>\n<td>1960<\/td>\n<td>Hindi\/Urdu<\/td>\n<td>Akbar\u2019s reign, 16th c.<\/td>\n<td>K. Asif<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<h2><span class=\"ez-toc-section\" id=\"1_Mughal-E-Azam_1960_HindiUrdu\"><\/span>1) <a href=\"https:\/\/www.zee5.com\/movies\/details\/mughal-e-azam\/0-0-405570\">Mughal-E-Azam<\/a> (1960, <a href=\"https:\/\/www.zee5.com\/movies\/lang\/hindi\">Hindi<\/a>\/Urdu)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Start where the template was carved. K. Asif\u2019s epic sets its love story\u2014Prince Salim and the court dancer Anarkali\u2014inside Akbar\u2019s empire, and then stages everything with near-operatic scale: marble corridors, mirrored palaces, Naushad\u2019s score, and the still-shiver \u201cPyar Kiya To Darna Kya.\u201d <a href=\"https:\/\/www.zee5.com\/celebs\/prithviraj-kapoor\/filmography\">Prithviraj Kapoor<\/a> (Akbar), <a href=\"https:\/\/www.zee5.com\/celebs\/dilip-kumar\/filmography\">Dilip Kumar<\/a> (Salim), and <a href=\"https:\/\/www.zee5.com\/celebs\/madhubala\/filmography\">Madhubala<\/a> (Anarkali) anchor performances that have become shorthand for \u201cperiod spectacle\u201d in Hindi cinema. It was the highest-grossing Indian film of its time, and the 2004 colorized re-release brought a new generation back to the Sheesh Mahal. If your idea of a period drama is court politics in silk and steel, this is your baseline.<\/p>\n<p>What to expect: Courtly ritual, visible power dynamics, and a love story whose stakes are explicitly political.<br \/>\nGood entry point if you\u2019re new to classics: Watch the colorized theatrical cut; the restoration retains the grandeur without losing texture.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"2_Fatteshikast_2019_Marathi\"><\/span>2) <a href=\"https:\/\/www.zee5.com\/movies\/details\/fatteshikast\/0-0-199529\">Fatteshikast<\/a> (2019, <a href=\"https:\/\/www.zee5.com\/movies\/lang\/marathi\">Marathi<\/a>)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Digpal Lanjekar\u2019s historical recreates one of the most audacious operations in Maratha\u2013Mughal history: Shivaji\u2019s 1663 night raid on Lal Mahal in Pune, which left Mughal subahdar Shaista Khan injured and the local power equation rattled. <a href=\"https:\/\/www.zee5.com\/celebs\/chinmay-mandlekar\/filmography\">Chinmay Mandlekar<\/a>\u2019s Shivaji is tactical first, devotional second\u2014closer to field commander than hagiography. The filmmaking is straightforward and mission-centric: footprint maps, disguises, and the kind of indoor combat that lives on timing rather than scale.<\/p>\n<p>What to expect: A compact, raid-movie structure that treats the episode like an early \u201cspecial ops\u201d template.<br \/>\nPair with: Farzand (2018) from the same cycle for continuity on Maratha campaigns.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"3_Har_Har_Mahadev_2022_Marathi\"><\/span>3) <a href=\"https:\/\/www.zee5.com\/movies\/details\/har-har-mahadev\/0-0-1z5264082\">Har Har Mahadev<\/a> (2022, Marathi)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Abhijeet Deshpande\u2019s film is built around the Battle of Pavan Khind (13 July 1660)\u2014Baji Prabhu Deshpande\u2019s last stand that allowed Shivaji to reach Vishalgad after slipping the Adil Shahi siege. <a href=\"https:\/\/www.zee5.com\/celebs\/subodh-bhave\/filmography\">Subodh Bhave<\/a> plays Shivaji; <a href=\"https:\/\/www.zee5.com\/celebs\/sharad-kelkar\/filmography\">Sharad Kelkar<\/a>\u2019s Baji Prabhu gives the film its grim heartbeat. The numbers you\u2019ve heard\u2014hundreds of Marathas holding off vastly larger forces\u2014are the dramatic spine here, and the staging leans into attrition: dwindling arrows, drumbeats that slow, a pass that becomes a character.<\/p>\n<p>What to expect: A war picture that understands terrain and fatigue.<br \/>\nIf you like process: The planning around the Panhala escape and decoy movements is the meat.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"4_Maurh_2023_Punjabi\"><\/span>4) <a href=\"https:\/\/www.zee5.com\/movies\/details\/maurh\/0-0-1z5395150\">Maurh<\/a> (2023, <a href=\"https:\/\/www.zee5.com\/movies\/lang\/punjabi\">Punjabi<\/a>)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Jatinder Mauhar turns regional folk history into widescreen cinema with the story of brothers Kishna and Jeona Maurh\u2014outlaw-folk heroes from the Malwa belt in the late 19th century. <a href=\"https:\/\/www.zee5.com\/celebs\/ammy-virk\/filmography\">Ammy Virk<\/a> and <a href=\"https:\/\/www.zee5.com\/celebs\/dev-kharoud\/filmography\">Dev Kharoud<\/a> split the leads across a timeline that runs through sand, salt and colonial paperwork. The film\u2019s interest is how oppression gets enforced locally (moneylenders, land, informers) and how resistance acquires legend. It\u2019s not a courtroom drama and not a siege movie; it\u2019s a regional chronicle with dust, songs, and a ledger of grief.<\/p>\n<p>What to expect: A period biographical drama with folk-ballad energy, set roughly 1885\u20131893.<br \/>\nWhy it matters: Punjabi cinema rarely gets to mount folk narratives at this scale, and this one respects place and accent.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"5_Bimbisara_2022_Telugu\"><\/span>5) <a href=\"https:\/\/www.zee5.com\/movies\/details\/bimbisara\/0-0-1z5234688\">Bimbisara<\/a> (2022, <a href=\"https:\/\/www.zee5.com\/movies\/lang\/telugu\">Telugu<\/a>)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Historical name, fantasy engine. Debutant Mallidi Vassishta imagines the ruthless Haryanka-dynasty king Bimbisara (5th century BCE) yanked into present-day Hyderabad via a cursed mirror. <a href=\"https:\/\/www.zee5.com\/celebs\/nandamuri-kalyan-ram\/filmography\">Nandamuri Kalyan Ram<\/a> plays dual shades of the monarch\u2014conqueror then penitent\u2014while M. M. Keeravani\u2019s score does the time-travel glue. This is not a classroom biopic; it\u2019s a commercial fantasy that uses an actual ruler\u2019s name to ask a first-principles question: if a king sees the moral consequences of his rule, does redemption count?<\/p>\n<p>What to expect: Two timelines, punchy action, a redemption arc that bridges eras.<br \/>\nFile under: Period texture meets speculative fiction; honest about its invention.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"6_RRR_2022_Telugu_multilingual\"><\/span>6) <a href=\"https:\/\/www.zee5.com\/movies\/details\/rrr\/0-0-1z5145092\">RRR<\/a> (2022, Telugu; multilingual)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>S. S. Rajamouli made a global hit. He creates a fictional friendship between two real revolutionaries\u2014Alluri Sitarama Raju and Komaram Bheem\u2014who fight the British Raj and the Nizam in the 1920s. <a href=\"https:\/\/www.zee5.com\/celebs\/ram-charan\/filmography\">Ram Charan<\/a> and <a href=\"https:\/\/www.zee5.com\/celebs\/jr-ntr\/filmography\">N. T. Rama Rao Jr.<\/a> split the film down the middle: one undercover within the colonial machinery, the other the forest-born rebel. It\u2019s maximalist cinema that still tracks cleanly: set-piece as story beat, song as plot, and the historic firsts\u2014\u201cNaatu Naatu\u201d winning the 2023 Academy Award and Golden Globe for Best Original Song\u2014cementing its place outside India too.<\/p>\n<p>What to expect: Operatic action anchored by clear emotional math.<br \/>\nIf you care about accuracy: The men are real; the events are a deliberate fiction.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"7_Phullwanti_2024_Marathi\"><\/span>7) <a href=\"https:\/\/www.zee5.com\/movies\/details\/phullwanti\/0-0-1z5825749\">Phullwanti<\/a> (2024, Marathi)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>A newer Marathi period drama that focuses on performance culture\u2014specifically a Lavani artist in the Peshwa era\u2014and the social-moral crosscurrents of court and society in 18th-century Pune. The film\u2019s value is the vantage point: instead of marching to battlefields, it looks at how art, patronage and orthodoxy rub against each other inside a darb\u0101r. When period cinema steps away from kings and commanders to show the ecosystem around them, you get texture; that\u2019s the lane this one chooses.<\/p>\n<p>What to expect: Dance-drama framing with courtly detail rather than campaign maps.<br \/>\nWhy include it: It fills a gap\u2014Marathi period films often center warfare; this one centers culture.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"How_to_watch_smart_and_in_what_order\"><\/span>How to watch smart (and in what order)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Begin with a cornerstone: Mughal-E-Azam for language of spectacle and court politics.<\/p>\n<p>Move to campaigns: Fatteshikast (tactical raid) and Har Har Mahadev (attrition at a mountain pass) to see how Marathi cinema treats operations.<\/p>\n<p>Switch regions: Maurh for Punjabi folk history at feature scale.<\/p>\n<p>Open the lens: RRR for pan-Indian pop mythmaking that wears its fiction proudly.<\/p>\n<p>Try a speculative bridge: Bimbisara for the \u201cperiod meets present\u201d thought experiment.<\/p>\n<p>Close on culture: Phullwanti to round out the court-and-arts perspective.<\/p>\n<h2><span class=\"ez-toc-section\" id=\"Why_these_seven_make_a_useful_set\"><\/span>Why these seven make a useful set<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>Together they cover the main modes of Indian period storytelling:<\/p>\n<p>Court and culture (Mughal-E-Azam, Phullwanti): etiquette, performance, and how private feelings become public stakes.<\/p>\n<p>Campaign and operation (Fatteshikast, Har Har Mahadev): maps, morale, logistics, and cost.<\/p>\n<p>Folk chronicle (Maurh): region, dialect, land, and the memory that becomes legend.<\/p>\n<p>Mythic retelling (RRR, Bimbisara): known names, invented events, and the big-canvas grammar that moves crowds.<\/p>\n<p>No padding, no grand claims\u2014just a lineup that tells you what each film is, what lane it runs in, and why it belongs on a serious period-drama watchlist. If you\u2019re building a weekend plan, pick one from each mode. You\u2019ll get courts and corridors, passes and raids, dust and drums, song and steel\u2014and a clearer sense of how Indian cinema keeps rewriting history on screen, sometimes faithfully, sometimes fabulously, always with a point of view.<\/p>\n<p><em>Bio of Author: Gayatri Tiwari is an experienced digital strategist and entertainment writer, bringing 20+ years of content expertise to one of India\u2019s largest OTT platforms. She blends industry insight with a passion for cinema to deliver engaging, trustworthy perspectives on movies, TV shows and web series.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Cut the noise, keep the gems. Here are seven razor-sharp Period Dramas that show Indian cinema flexing in courts, on battlefields, through folk legends, and in full-blown myth mode. Not a \u201cgreatest ever\u201d puff piece\u2014just a crisp, no-nonsense guide with exactly enough context to spark your next play. Quick reference table Title Year Language Primary [&hellip;]<\/p>\n","protected":false},"author":17,"featured_media":10758,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"ub_ctt_via":"","footnotes":""},"categories":[6],"tags":[],"class_list":["post-10754","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-new-releases"],"acf":[],"featured_image_src":"https:\/\/www.zee5.com\/global\/blog\/wp-content\/uploads\/2025\/09\/Phullwanti-movie-2.jpg","author_info":{"display_name":"Gayatri Tiwari","author_link":"https:\/\/www.zee5.com\/global\/blog\/author\/gayatri-tiwari\/"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>From Mughal-E-Azam to Phullwanti: 7 Time-Traveling (and Time-Tested) Period Dramas to Binge This Weekend - ZEE5 Blog<\/title>\n<meta name=\"description\" content=\"Cut the noise, keep the gems. 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